This article analyzes the mark of terrorism in Basque underground music from 1980s to 2000s, paying special attention to the image of the “Basque conflict”, to ETA and to the militants of this terrorist organization. Later, it is examined what type of content has been maintained in the songs of this musical style, with special emphasis on the victims and the thematics have been promoted since the end of ETA.

El presente artículo es una propuesta de unidad didáctica para bachillerato. Su objetivo es problematizar el conocimiento que el alumnado suele tener de este periodo histórico tan convulso e interesarles por su estudio a través de diferentes y novedosas fuentes de información (fanzines, música, etc.). Asimismo, el objetivo es plantear un relato inclusivo que huya de maniqueísmos utilizando un amplio elenco de recursos didácticos. La siguiente propuesta de unidad didáctica es una práctica de aula sugerente.

En este artículo se analiza la labor docente de Jesús Galíndez Suárez en diferentes instituciones universitarias americanas. El objetivo es desmitificar a este político nacionalista vasco y delegado del Gobierno vasco en el exilio en Nueva York, cuya figura ha estado rodeada por la conspiración y el espionaje de la Guerra Fría debido a su misteriosa desaparición, y poner en valor una faceta habitualmente olvidada: su puesto de profesor en la Universidad de Columbia, una de las más prestigiosas de Estados (...) Unidos. En esta investigación se han utilizado fuentes inéditas de los archivos de la Universidad de Columbia y de la Universidad de Rutgers. (shrink)

We introduce a new method for building models of [Formula: see text], together with [Formula: see text] statements over [Formula: see text], by forcing. Unlike other forcing constructions in the literature, our construction adds new reals, although only [Formula: see text]-many of them. Using this approach, we build a model in which a very strong form of the negation of Club Guessing at [Formula: see text] known as [Formula: see text] holds together with [Formula: see text], thereby answering a well-known (...) question of Moore. This construction can be described as a finite-support weak forcing iteration with side conditions consisting of suitable graphs of sets of models with markers. The [Formula: see text]-preservation is accomplished through the imposition of copying constraints on the information carried by the condition, as dictated by the edges in the graph. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Rethinking Music Education and Social Change by Alexandra Kertz-WelzelGraça MotaAlexandra Kertz-Welzel, Rethinking Music Education and Social Change (Oxford: Oxford University Press, 2022)I began to read this book shortly after the invasion of Ukraine by the Russian troops. Amidst this most terrible and brutal context, reading and re-reading the book that Alexandra Kertz-Welzel offers was both a blessing and an intense exercise of food for thought. A blessing as (...) it drives our minds through a complex but nonetheless rewarding journey into the meanders of critical and ideal visions. An exercise of food for thought as she turns to the arts, philosophy, sociology, and political theory to construct an interdisciplinary, sustained story. While rethinking “the goals of music education in view of social change,”1 the introduction describes the purpose of the study and presents the author’s chosen theoretical pillars: Levitas’s concept of utopia, Georgina Born’s four planes of music’s sociality, David Hesmondalgh’s defense of aesthetic experience, and Martha Nussbaum’s concept of human flourishing. Furthermore, Kertz-Welzel aims to answer the question of what social change is in general but also, concerning music education, to critically consider the contribution that music education can make to social change. She proposes to redefine “the general goals of music education regarding its social and musical intentions, reuniting two dimensions which have been defined as opposite, but are in fact complementary regarding [End Page 99] politically and socially responsive music education and esthetic music education.”2 I will get back later to this last intention in the context of the author’s approach to the redefinition of music education. For now, I will begin with her proposed definition of music education as utopian theory and practice, in the context of the chosen title for this book.Rethinking Music Education and Social Change is a very appealing title not only because rethinking music education is a most pressing issue within the community of music educators but also because social change, in relationship with music, has been the object of research in numerous projects, claiming the transformative power of music. This is a theme I have been very much involved with, being the co-founder of the research platform, Social Impact of Making Music (SIMM),3 that aims to systematically investigate the possible social impacts of learning and playing music. Having said that, I found myself confronted with a book that sets in the middle of its focus to thoroughly investigate the concept of utopia in its multiple facets based on a complete discussion of its theoretical basis. In that context, the fact that the title of the book does not include utopia seemed to me rather puzzling, and I intend to come back to this at the end of this review.The author presents a comprehensive and updated review of the literature, its complexities and ambivalences in the relationship between the arts and social change as it appears and has evolved across time. This approach connects social change with activism, not forgetting the issue of dramatic social change that she exemplifies with the COVID-19 pandemic, and to which we can now sadly add the present state of war. Quoting Roxane de la Sablonniére (2017) and her four typologies of social change, Kertz-Welzel highlights the fact that in the last hundred years the pace of change has increased enormously, and “dramatic social change is a threat to cultural identity.”4The notion of the arts as a political instrument is thoroughly developed, and it should be acknowledged that the author takes here, as well as in other parts of the book, a courageous standpoint. She does not avoid critical or uncomfortable issues, one of them being the ambiguity of the arts. In her discussion on social distinction and identity construction, she cites Max Weber, Georg Simmel, and Pierre Bourdieu and argues that culture has indeed been used as a way of discrimination among people. She also points out the supposedly refined taste of higher social classes cultivated through access to various arts experiences, while others would be denied these experiences and therefore unable to develop their full artistic potential... (shrink)

RESUMO: Ao posicionar-se no debate acerca dos fundamentos da moral, David Hume desenvolve uma concepção da moralidade segundo a qual esta diria respeito a ações e sentimentos desinteressados, que, frequentemente, relacionam-se diretamente com o interesse público. Nesse sentido, Hume mostra-se um crítico ferrenho de Bernard Mandeville, que teria defendido que a moralidade teria por base uma natureza humana governada apenas pelo amor próprio e pela vaidade. Ainda assim, não se pode perder de vista que os dois autores parecem se (...) aproximar no que diz respeito à origem da justiça e, por extensão, da sociedade tal como a conhecem. Isso porque ambos consideram que as regras sociais teriam surgido a partir da necessidade de satisfação de interesses. PALAVRAS-CHAVE: Hume, Mandeville, moralidade, sentimento, egoísmo. (shrink)

fiction and urban technological narrative.

Perfectionism is an underexplored tradition, perhaps because of doubts about the grounds, content, and implications of perfectionist ideals. Aristotle, J.S. Mill, and T.H. Green are normative perfectionists, grounding perfectionist ideals in a normative conception of human nature involving personality or agency. This essay explores the prospects of normative perfectionism by examining Kant’s criticisms of the perfectionist tradition. First, Kant claims that the perfectionist can generate only hypothetical, not categorical, imperatives. But insofar as the normative perfectionist appeals to the normative category (...) of personality or agency, rather than a biological category of humanity, it can represent perfectionist demands as categorical imperatives. Second, Kant accepts a moral asymmetry in which we aim at our own perfection but at the happiness, rather than the perfection, of others. However, the importance of autonomy in normative perfection explains why the perfectionist should recognize a self/other asymmetry. Indeed, when we see how the normative perfectionist can answer Kant’s criticisms while respecting Kant’s own claims about the connection between rational nature and moral requirements, we can see the basis for a normative perfectionist interpretation of Kant’s own ethical theory. Insofar as Kantians and normative perfectionists both base ethical demands on an appeal to rational nature, they face a common worry that the appeal to rational nature is empty or incomplete. Normative perfectionists have more and less concessive responses to this worry, providing perfectionist explanations of various apparently non-perfectionist goods. Even if we end up being pluralists about the good, perfectionist elements play an important role. Finally, because the normative perfectionist, like the Kantian, grounds its ideals and requirements in a conception of persons as rational agents, it provides a promising account of the rational authority of perfectionist demands. This comparison of normative perfectionist and Kantian essentials gives us reason to take the normative perfectionist tradition seriously. (shrink)

First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

Philosophers like Shoemaker and Burge argue that only self-conscious creatures can exercise rational control over their mental lives. In particular they urge that reflective rationality requires possession of the I-concept, the first person concept. These philosophers maintain that rational creatures like ourselves can exercise reflective control over belief as well as action. I agree that we have this sort of control over our actions and that practical freedom presupposes self-consciousness. But I deny that anything like this is true of belief.

This is a concise and readable study of five intertwined themes at the heart of Wittgenstein's thought, written by one of his most eminent interpreters. David Pears offers penetrating investigations and lucid explications of some of the most influential and yet puzzling writings of twentieth-century philosophy. He focuses on the idea of language as a picture of the world; the phenomenon of linguistic regularity; the famous "private language argument"; logical necessity; and ego and the self.

Truthmakers have come to play a central role in David Armstrong's metaphysics. They are the things that stand in the relation of truthmaking to truthbearers. This chapter focuses on the relation. More specifically, it discusses a thesis Armstrong holds about truthmaking that is of special importance to him; namely, the thesis that truthmaking is an internal relation. It explores what work this thesis is supposed to do for Armstrong, especially for this doctrine of the ontological free lunch, raising questions (...) and pointing out difficulties along the way. At the end of the chapter, it is shown that Armstrong's preferred truthbearers generate a serious difficulty for his thesis that the truthmaking relation is internal. (shrink)

Why do aircraft fly? How do their wings support them? In the early years of aviation, there was an intense dispute between British and German experts over the question of why and how an aircraft wing provides lift. The British, under the leadership of the great Cambridge mathematical physicist Lord Rayleigh, produced highly elaborate investigations of the nature of discontinuous flow, while the Germans, following Ludwig Prandtl in Göttingen, relied on the tradition called “technical mechanics” to explain the flow of (...) air around a wing. Much of the basis of modern aerodynamics emerged from this remarkable episode, yet it has never been subject to a detailed historical and sociological analysis. In The Enigma of the Aerofoil, David Bloor probes a neglected aspect of this important period in the history of aviation. Bloor draws upon papers by the participants—their restricted technical reports, meeting minutes, and personal correspondence, much of which has never before been published—and reveals the impact that the divergent mathematical traditions of Cambridge and Göttingen had on this great debate. Bloor also addresses why the British, even after discovering the failings of their own theory, remained resistant to the German circulation theory for more than a decade. The result is essential reading for anyone studying the history, philosophy, or sociology of science or technology—and for all those intrigued by flight. (shrink)

Available from UMI in association with The British Library. Requires signed TDF. ;The thesis begins by examining Coleridge's views on the role of feeling in intellectual activity. Hartley had argued that all forms of consciousness could be explained as effects of the body and its relation to external objects. Coleridge believed that thought was independent of physical causes. Feeling was the cause of association, and thought was an attempt to verbalize our intuitions. Chapter 2 examines his attempts to distinguish the (...) types of feeling connected with truth and with delusion. ;Chapter 3 discusses the emotional benefits which Coleridge found in philosophizing and their role in determining the contents of his thought. No system, he argued, can do justice to our intuition of transcendent realities; truthfulness depends on an unceasing effort of self-criticism, which itself produces a feeling of the sublime. Pleasure is an objective of Coleridge's philosophy as well as his poetry. Chapter 4 shows how the pleasures of thinking led him to view philosophy as a divinely-ordained transcendence of material things. ;Chapter 5 discusses the role of feeling in Coleridge's metaphysics. Coleridge searched continually for ways to reconcile the immanence and transcendence of God. He believed that God is revealed to us through philosophical effort, and that the qualities of energy and production involved in thinking make it both an instance and a symbol of God's creativity. ;The final chapter shows how Coleridge's conception of metaphysical truth expresses itself in his advocacy of a complex, continuous, and self-critical prose-style. Only by striving to express the truth do we achieve a conviction of its inexpressibleness. This effort, however, results in a style so complex that it requires an equivalent effort in order to be understood, thus involving the reader in an awareness of truth's sublimity. (shrink)

In _The Later Middle Ages,_ the third volume of his monumental _History of Political Ideas,_ Eric Voegelin continues his exploration of one of the most crucial periods in the history of political thought. Illuminating the great figures of the high Middle Ages, Voegelin traces the historical momentum of our modern world in the core evocative symbols that constituted medieval civilization. These symbols revolved around the enduring aspiration for the _sacrum imperium,_ the one order capable of embracing the transcendent and immanent, (...) the ecclesiastical and political, the divine and human. The story of the later Middle Ages is that of the "civilizational schism"—the movement in which not only the reality but the aspiration for the _sacrum imperium_ gradually disappeared and the unification of faith and reason dissolved. His recognition of this civilizational schism provides Voegelin with a unique perspective on medieval society. William of Ockham, Dante, Giles of Rome, and Marsilius of Padua all emerge in Voegelin's study as predecessors to modern thought; each turns to personal authority and intellectual analysis in an attempt to comprehend the loss of the _sacrum imperium_ as an authoritative ideal. Voegelin is further drawn into investigations that, despite insufficient attention by scholars, still bear relevance to the study of the later Middle Ages. The mysticism apparent in _Piers Plowman_ and the apocalyptic revolt of Cola di Rienzo are merely two reactions to the disintegration of wholeness. Yet the story of the later Middle Ages does not merely revolve around disintegration. Voegelin recognizes the emergence of the constitutional political tradition as the most positive development of this period. He is at his best when explaining the difference between the presence of a representative institution and the growth of communal consciousness. Voegelin's study of the English political pattern is matched only by his unique perspective on the German imperial zone, culminating in a fitting conclusion on Nicholas of Cusa—the one political thinker with the ability to evoke the unity of mankind beyond fragmentation. _The Later Middle Ages_ is at once a brilliant examination of the symbols that characterized medieval society and a remarkable predecessor to Voegelin's study of the modern world, beginning with the Renaissance and the Reformation. (shrink)

Japan and the Enemies of Open Political Science argues that Eurocentric blindness is a scientific failing, not a moral one. In a way true of no other political system, Japan's greatness has the potential to enliven and reform almost all the main branches of Western Political Science. David Williams criticizes Western social science, Anglo-American Philosophy and French Theory and explains why mainstream economists, historians of political thought and postculturalists have ignored Japan's modern achievements. Williams demonstrates why the renewal of (...) social science and the nurturing of a "a philosophy of the Pacific Century" requires a sustained act of intellectual demolition. (shrink)

In this groundbreaking book David Roberts sets out to demonstrate the centrality of the total work of art to European modernism since the French Revolution.

Do we control what we believe? Are we responsible for what we believe? In a series of ten essays David Owens explores various different forms of control we might have over belief, and the different forms of responsibility these forms of control generate.

Fragments of Modernity provides a critical introduction to the work of three of the most original German thinkers of the early 20th century. In their different ways, all three illuminated the experience of the modern in urban life, whether in mid-19th-century Paris or in Berlin at the turn of the century or later as the vanguard city of the Weimar Republic. They related the new modes of experiencing the world to the maturation of the money economy (Simmel), the process of (...) rationalization of capital (Kracauer), and the fantasy world of commodity fetishism (Benjamin) - in each case focusing on those fragments of social experience that could best capture the sense of modernity.David Frisby is Reader in Sociology at Glasgow University. Fragments of Modernity is included in the series Studies in Contemporary German Social Thought, edited by Thomas McCarthy. (shrink)

David Hume is the greatest and also one of the most provocative philosophers to have written in the English language. No philosopher is more important for his careful, critical, and deeply perceptive examination of the grounds for belief in divine powers and for his sceptical accounts of the causes and consequences of religious belief, expressed most powerfully in the Dialogues Concerning Natural Religion and The Natural History of Religion. The Dialogues ask if belief in God can be inferred from (...) the nature of the universe or whether it is even consistent with what we know about the universe. The Natural History of Religion investigates the origins of belief, and follows its development from harmless polytheism to dogmatic monotheism. Together they constitute the most formidable attack upon the rationality of religious belief ever mounted by a philosopher. This edition also includes Section XI of The Enquiry Concerning Human Understanding and a letter concerning the Dialogues, as well as particularly helpful critical apparatus and abstracts of the main texts, enabling the reader to locate or relocate key topics. (shrink)

"Written by a well-known and respected author, this book reflects careful scholarship by someone who has extensive experience in the field and creative insights.

In this book, philosopher David Boonin attempts to answer the moral questions raised by five important and widely contested racial practices: slave reparations, affirmative action, hate speech restrictions, hate crime laws and racial profiling. Arguing from premises that virtually everyone on both sides of the debates over these issues already accepts, Boonin arrives at an unusual and unorthodox set of conclusions, one that is neither liberal nor conservative, color conscious nor color blind. Defended with the rigor that has characterized (...) his previous work but written in a more widely accessible style, this provocative and important new book is sure to spark controversy and should be of interest to philosophers, legal theorists and anyone interested in trying to resolve the debate over these important and divisive issues. (shrink)

Deleuze’s two Cinema books explore film through the creation of a series of philosophical concepts. Not only bewildering in number, Deleuze’s writing procedures mean his exegesis is both complex and elusive. -/- Three questions emerge: What are the underlying principles of the taxonomy? How many concepts are there, and what do they describe? How might each be used in engaging with a film? -/- This book is the first to fully respond to these three questions, unearthing the philosophies inspiring Deleuze’s (...) classifications, exploring every concept and reading a film for each. -/- Clearly and concisely mapping the Cinema books for newcomers to Deleuzian film studies, as well as opening up new areas of enquiry for expert readers. -/- > An interpretation of Bergson’s Matter and Memory through Deleuze’s Bergsonism describing the ground of Deleuze’s film-philosophy > A reading of Peirce’s semiosis from Pragmatism and Pragmaticism explicating the genesis and components of the movement-image > An examination of Deleuze’s syntheses of time, space, and consciousness from Difference and Repetition illuminating the genesis and components of the time-image > Concise engagements with each of the cinematic signs to assist reading Deleuze’s Cinema books, as well as commentaries and monographs that draw upon them > 44 film readings – one for each cinematic sign – to clarify their application. (shrink)

Taken in general terms, “hermeneutics” refers to the study of understanding and interpretation, and, traditionally, this study focuses on considerations of the art, method, and foundations of research in the arts and humanities. The study of hermeneutics has been developed and applied in a number of areas of scholarly inquiry, such as biblical exegesis, literary studies, legal studies, and the medical humanities. In the context of post-war Continental European thought, however, hermeneutics is brought into a novel philosophical context and, with (...) this, comes to designate a philosophical movement – or, at least, a number of related philosophers and themes – concerned with the scope and limits of phenomenology, the character of human existence, the relation of the natural sciences and humanities, as well as a range of interrelated matters in the philosophy of history, the philosophy of language, the philosophy of art and aesthetics, practical philosophy, as well as in epistemology and the theory of meaning. (shrink)

This provocative text considers whether evolutionary explanations can be used to clarify some of life’s biggest questions. Examines topics of race, sex, gender, the nature of language, religion, ethics, knowledge, consciousness and ultimately, the meaning of life Each chapter presents a main topic, together with discussion of related ideas and arguments from various perspectives Addresses questions such as: Did evolution make men and women fundamentally different? Is the concept of race merely a social construction? Is morality, including universal human rights, (...) a mass delusion? Can religion and evolution really be harmonized? Does evolution render life meaningless? Written in a clear and informative style, with helpful references for further reading and research. (shrink)

Holton has drawn attention to a new semantic universal, according to which no natural language has contrafactive attitude verbs. Because factives are universal across natural languages, Holton’s universal is part of a major asymmetry between factive and contrafactive attitude verbs. We previously proposed that this asymmetry arises partly because the meaning of contrafactives is significantly harder to learn than that of factives. Here we extend our work by describing an additional computational experiment that further supports our hypothesis.

There are several branches of ethics. Clinical ethics, the one closest to medical decisionmaking, can be seen as a branch of medicine itself. In this view, clinical ethics is a unitary hermeneutics. Its rule is a guideline for unifying other theories of ethics in conjunction with the clinical context. Put another way, clinical ethics interprets the clinical situation in light of a balance of other values that, while guiding the decisionmaking process, also contributes to the very weighting of those values. (...) The case itself originates ideas, not only about which value ought to predominate in its resolution, but also provides the origin of clinical rules that can be used in other cases. These are interpretive rules. Some examples of these rules are presented as well. (shrink)

This book shows how the details of the myth and the accounts of interaction between lovers are based on a carefully articulated metaphysical structure.

Moses Mendelssohn (1729-1786) was the premier Jewish thinker of his day and one of the best-known figures of the German Enlightenment, earning the sobriquet 'the Socrates of Berlin'. He was thoroughly involved in the central issue of Enlightenment religious thinking: the inevitable conflict between reason and revelation in an age contending with individual rights and religious toleration. He did not aspire to a comprehensive philosophy of Judaism, since he thought human reason was limited, but he did see Judaism as compatible (...) with toleration and rights. David Sorkin offers a close study of Mendelssohn's complete writings, treating the German, and the often-neglected Hebrew writings, as a single corpus and arguing that Mendelssohn's two spheres of endeavour were entirely consistent. (shrink)

Descartes' ideas not only changed the course of Western philosophy but also led to or transformed the fields of metaphysics, epistemology, physics and mathematics, political theory and ethics, psychoanalysis, and literature and the arts. This book reprints Descartes' major works, _Discourse on Method_ and _Meditations_, and presents essays by leading scholars that explore his contributions in each of those fields and place his ideas in the context of his time and our own. There are chapters by David Weissman on (...) metaphysics and psychoanalysis, John Post on epistemology, Lou Massa on physics and mathematics, William T. Bluhm on politics and ethics, and Thomas Pavel on literature and art. These essays are accompanied by others by David Weissman and by Stephen Toulmin that introduce the idea of intellectual lineages, discuss the period in which Descartes wrote, and reexamine the premises of his philosophy in light of contemporary philosophical, political, and social thinking. (shrink)

This work is designed to make Aristotle's neglected but fascinating writings on sleep and dreams accessible in translation to modern readers, and to provide a commentary with a contemporary perspective. It considers Aristotle's theory of dreams in historical context, especially in relation to Plato. It also discusses neo-Freudian interpretations of Aristotle and contemporary experimental psychology of dreaming. Aristotle's account of dreaming as a function of the imagination is examined from a philosophical perspective. The work is a revised and corrected version (...) of the North American edition. (shrink)